Wednesday, 12 December 2012
Rough Cut Evaluation and Improvements
Rough Cut from Max Lake on Vimeo.
Here are the comments made by our class:
Improvements:
Remove car sounds
Add dialogue scenes + news reports for narrative exposition and characterisation
More sound effects
Bus stop scene – Strobe lights in pinnacle and sound effects
Start with disruption, then create pace and drama to separate parts
Good Elements:
Lots of good shots, but they need to be arranged and edited to be more like a trailer
The music creates a good atmosphere for the trailer
Their are a lots of enigmas, but some may argue too many
Add more colour filters such as Chroma key to wash out certain colours
It is obvious people are dead and the world is desolated
From this we have established that we have a good variety of shots, as well as some action scenes and establishing some narrative. However, we must add more trailer conventions such as narrative voice-overs and dialogue, with additional action montages that will really enable an audience to grasp what the film genre is, what conventions it might follow, and most importantly what the story consists of.
We are currently at an early stage in the editing process as we have not got all of our shots and we are trying to put the trailer in a structure which makes good sense and flows well - this will be accomplished by integrating some of the above.
Tuesday, 11 December 2012
Risk Assessment
Each of the locations we used came with their own risks, but
we took steps beforehand and minimalised the possibility of injury and any
other risks to ensure filming was safe.
Moors
We filmed at the moors for a brief period in the morning which caused some complications. This is due to the laws which have been put in place regarding weapons and any toys which look and could be perceived as an offensive weapon, such as the toy rifle we used. Therefore we only used one exterior shot involving the rifle in which it is sticking out of the bag. The reason we did this was because we had to transfer the rifle from a private office back to my house, so we decided to film a quick shot with the rifle outside. As the shot only lasted 10 seconds, it minimised the possible risks.
Factory
The majority of our filming was done at two factories. There
were many people around these factories which caused a bit of trouble filming
as some of them were stealing lead and copper, which brought up the risk of
them stealing our equipment if left unattended. Once inside the factory there
were broken glass on the floor which we had to avoid as well as watching out
footing as we walked as files and paint were spilt everywhere, however there
were adults there taking pictures who helped us around the building. The
buildings were both structurally safe, so there wasn’t any need to worry about
it collapsing and being unstable. We also found a metal bar which we used as a weapon in one of our shots. It could be seen as an offensive weapon, but as it was found there as some debris, we thought it would be fine to film with it for a shot.
Home and Office
We did a couple of the interior shots involving weapons at our homes and in an office. This eliminated the risk of any public concerns or any laws being broken. We filmed a low angle shot from a cellar also in which Tom then peers over the cellar door with a rifle.
Monday, 10 December 2012
Problems on Shoot
When filming, it is imperative that you and your group are
fully prepared and organised to the utmost standard otherwise potentially challenging
circumstances may arise. Some variables can be easily averted by planning to do
filming at certain times of the day, evaluating the surroundings and checking
weather forecasts. However, other variables can be unpredictable and
spontaneous, such as people interfering with filming.
People entering filming area
People entering the area of filming is often an
unpredictable circumstance whilst shooting; especially in areas nearby
populated areas or that attract dog walkers, runners and chavs. When we filmed
close to an abandoned factory in Rochdale, some filming was briefly interrupted
by a small posse of kids aiming to loot the place of any diminished amount of
copper, although they did help by finding ways into the factory for us. Later
on in the day at the same location, a group of men, filming and taking pictures
themselves, inadvertently entered some shots/made noise in the background which
spoilt a few shots. Obviously, all this required to prevent was to inform them
of our filming and the conditions we needed for it to work as we planned. Once
again, this meet resulted in more help, when two of the photographers possessed
gas masks and volunteered to be in the production. The same group gave us all
some practical, lightweight respirators which proved to be useful in the
dustier recesses of the building.
Weather
Though weather can be unpredictable sometimes, such as the
sporadic rain showers we were subject to one weekend of filming that WASN’T
forecast, it is generally easy to avoid problematic weather conditions like
rain and gusty wind by accessing forecasts. Simply planning around times of bad
weather is a start, but you must also take daylight hours into account. For
instance, with winter drawing nearer, the time we have to film after school is
drastically reduced since darkness sets in around 4 30 – 5:00pm and that is the
time we get home on a typical day. Therefore, we have to film at the weekends
on days that all members of the group are free.
Sometimes it is inevitable facing film-unfriendly weather
conditions which means the group should be dressed appropriately, that means
plenty of warm and waterproof clothing when outside. This was made easier by
the fact that we required coats and warm clothing for our actual production.
Lighting
Lighting in buildings can be a problem; if there is too much
or too little light in the environment it can ruin the mood of the shot, or
even make the shot completely illegible. In addition to this, when rooms are
partially shadowed and then partially deluged with light, the shots can come across
obscured and therefore useless. Although this can be tricky because relocating
to another location isn’t always available, we did prevent some shadow problems
by bringing a torch with a wide lighting radius.
Sunday, 9 December 2012
Filming Day 8
9th December (Sunday) – After putting our trailer in the order we wanted, we realised we needed to do a few more action shots and other various small shots. So we went to a field in Whitworth to film the action shots for our montage and we got the majority of them done and I don't think there will be a need for anymore filming.
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